Living Art
Hush co-owner Joanna Dawson's Lafayette home is another expression of her unique style.

Caren Alpert
Joanna Daswon's house is hard to categorize, which is just the way she
likes it. Set high up in the Lafayette hills, with jaw-dropping vistas
of Mount Diablo, the house mixes a casual Mediterranean vibe, bohemian
chic, and the features of an old European castle with classic Modernist
pieces.
It’s natural that Dawson would live in a home that embraces an eclectic
sensibility. She’s a co-owner of Hush, a boutique that opened in Walnut
Creek in 2000 and was one of the first in town to offer women an
alternative to department stores. With its inventory of clothes by
established as well as up-and-coming designers, the store caters to
women who want to move beyond a suburban look—whether it’s the mom who
wants to stay hip or any woman seeking what Dawson calls that
“just-threw-it-on cool look.”
“I have a business background, but I’ve always loved fashion,” says
Dawson, who has the fine features, long hair, and lithe physique of a
ballet dancer, and is barefoot and wearing a floaty floral peasant top
and jeans the day we meet at her home.

Caren Alpert
Her ability to mix and match styles becomes clear as we stroll by a
Mies van der Rohe Barcelona daybed in the living area and a Herman
Miller Noguchi coffee table and Charles Eames lounge chair in the TV
room. These icons of sleek, functional design coexist with funkier
pieces: the cherished old library desk in her study; a 1940s-style
cabinet in her 12-year-old son’s bedroom, bought at a garage sale for
$40; and a pair of beatnik Moroccan patchwork poufs in the master suite.
Dawson grew up in Quebec, and her Canadian roots mean a lot to her. She
and her husband, Ken, and their two sons spend two months every year at
their summer home in the Gatineau Hills of Quebec. “I like the contrast
between our busy life here and the more laid-back life we lead there,”
she says. “Also, there are no 16-year-olds driving BMWs where we go in
Canada,” she adds.

Caren Alpert
After moving to California in 1995 and living in Danville for a year,
the Dawsons happened upon their current house. Back then, it was in a
much more primitive state, even though it was fashioned after Frank
Lloyd Wright, and its future transformation required ample imagination.
Built as a weekend retreat in the 1950s, the construction mixed redwood
with exposed rubble packed in wire mesh. “Very rustic,” adds Ken.

Caren Alpert
An initial remodel of the 2,700-square-foot home added 1,200 more
square feet of space and smoothed out the exterior, but the result
didn’t cut it for Ken, who suggested, after living in the home for just
a short time, that they move. “I wanted somewhere more finished,” he
admits.

Caren Alpert
However, the thought of walking away from those amazing, 270-degree
views led to remodel number two, which completely recast the house and
infused it with its distinct character.
Instrumental to the home’s transformation was an importer named Franz
Fritzenwallner. It was Fritzenwallner who sourced the hand-forged
wrought iron balustrades on the wraparound deck. He also found
500-year-old engraved bricks and antique beams salvaged from a Habsburg
castle on the Danube River in Austria. He used the bricks to create the
patio, and he turned the beams into a
garden pergola.

Caren Alpert
Most of the art in the house is by Dawson’s uncle, the landscape and
abstract artist Duncan De Kergommeaux. A somber, untitled collage above
the hearth is a favorite. “I feel really drawn to his darker, more
abstract work,” she says.
Although Dawson describes herself as “the Dr. Kevorkian of the plant
world,” her garden is inviting. She says the family often takes
blankets outside and sits on the terrace to chat. When they have
company, they break out the guitars and bongo drums. Her preferred time
of year is the fall, when they watch the harvest moon come up over
Mount Diablo.

Caren Alpert
Overall, Dawson is pleased with the way her home has turned out. “Not
mainstream, a little artsy, and it defines what I am comfortable with,”
she says, adding that her friend, interior designer Maria DiGrande,
helped her steer clear of a “stodgy” look.
That said, it’s a work in progress. The fireplace in the living room,
for example, has never been exactly the Dawsons’ style, she says. It
will have to go, to be replaced by something more modern. She is also
rethinking the kitchen and exploring the idea of building a yurt in the
yard. “We don’t move too fast,” she says. That’s probably a good thing,
as Dawson’s schedule includes opening a second Hush boutique on Union
Street in San Francisco, planned for later this month. The renovations
will have to wait. “We’re not in a rush and want to do it well.”

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